Film Scoring Bundle Writing Music For Films Parts 1 And 2

What you'll learn
Get started building a portfolio of work to show their film composition talents
Score a feature film using a variety of techniques
Understand the process of writing music for film
Write and Compose music using proven techniques and tips
Create their own music using software, or good old pencil and paper.
Generate musical ideas through creativity exercises
Tools of the trade: Software
How do you start?
The process
Program music and metaphors
Character sketches
Writing through canon
Score and Source
Practicing with silent films
Setting up a session
Marking hits
Scoring the opening credits
Working with rhythm in cues
Finding and analyzing POV scenes
Creating atmosphere
Harmonizing string melodies
Polyrhythmic accompaniment
Working with string orchestra
The chase scene
Using the brass section
Building tension
Requirements
Students should be enthusiastic about music, but do not need to be producers or musicians. No prior experience is needed in the music industry, business, financing, or accounting.
Description
** UDEMY BESTSELLER **100% Answer Rate! Every single question posted to this class is answered within 24 hours by the instructor. Welcome to the COMPLETE Music COMPOSITION AND FILM SCORING Guide! The most popular film scoring online course!This is a class designed for the average person who is ready to take their music career (or music interest) and develop it into something more. Whether you are an active musician or an aspiring musician, this class is perfect for you.In this course, we will learn the essential techniques used in writing music for the film. Through a series of analysis' of well-known film scenes from your favorite movies we will learn what makes a great cue, and then apply those techniques by writing our own. I'll be showing you some of my own projects for film and television throughout the class, and walk you through my process when composing music for a film project.By the end of this course, students will understand the tools, lingo, and techniques used in the film composing world and will be ready to dive into their own projects. I'll walk you through how to get started on your first project by using freely available movies that need a score. Throughout my career, I've worked with major American orchestras, film studios, and video game designers. I'm also a Ph.D. in music composition and a university professor (of music composition). Recently I was named as a semi-finalist for the Grammy Foundation's Music Educator of the Year award because of my in-person university classes. Now I'm taking those classes to Udemy in an online format in order to reach more students and give them the joy of Music Theory.I'm planning on making several "sections" of this class, and this is Part 1. As the class grows, we will go deeper and deeper into my techniques. In this class, we will cover:Tools of the tradeFinding the emotional responseMusic Theory and GenreScoring for filmUsing Modes in Film ScoresFinding the MessageLearning from Temp Cues"Spotting" the filmFilm score composition techniquesWorking with industry budgetsDiegetic music and non-diegetic musicScore and SourceThe OstinatoWorking with silent filmsSetting up a sessionMarking hitsScoring the opening creditsMotive and LeitmotifWorking with LeitmotifsWorking with the rhythm in cuesPOVFinding and analyzing POV scenesComposing using POVAnd much, much, more! And of course, once you sign up for this class, all my other classes are yours at steep discounts! Over half off for all future sections!The course is a roadmap to launching your career as a composer!All the tools you need to prepare, organize and start your career are included in this course and the entire course is based on real-life experiences - not just academic theory.Please click the "Take This Course" button so you can launch your music career today.** I guarantee that this course is the most thorough music business course available ANYWHERE on the market - or your money back (30-day money-back guarantee) **Closed captions have been added to all lessons in this course.--------------------------------------------------------------------- Praise for Courses by Jason Allen:⇢ "It seems like every little detail is being covered in an extremely simple fashion. The learning process becomes relaxed and allows complex concepts to get absorbed easily. My only regret is not taking this course earlier." - M. Shah⇢ "Great for everyone without any knowledge so far. I bought all three parts... It's the best investment in leveling up my skills so far.." - Z. Palce⇢ "Excellent explanations! No more or less than what is needed." - A. Tóth⇢ "VERY COOL. I've waited for years to see a good video course, now I don't have to wait anymore. Thank You!" - Jeffrey Koury⇢ "I am learning LOTS! And I really like having the worksheets!" - A. Deichsel⇢ "The basics explained very clearly - loads of really useful tips!" - J. Pook⇢ "Jason is really quick and great with questions, always a great resource for an online class!" M. Smith----------------------------------------------------------------------------Students who register for this course will receive ongoing exclusive content and discounts for all future classes in the series.
Overview
Section 1: Introduction
Lecture 1 Introduction
Lecture 2 Tools of the Trade, and a Look at One of My Projects
Lecture 3 Update! MuseScore 3.0
Lecture 4 What I've Found in Other Film Scoring Classes
Lecture 5 A Note About Examples in This Class
Section 2: Emotion and Music Theory
Lecture 6 Finding the Right Emotional Response
Lecture 7 Music Theory and Genre
Lecture 8 Using Modes in Film Music
Lecture 9 Finding the Message of the Film
Lecture 10 Threnody for the Care Bears
Section 3: The Process
Lecture 11 Learning From Temp Cues
Lecture 12 Spotting the Film
Lecture 13 Budgets
Section 4: Diegetic Music and Non Diegetic Music
Lecture 14 Diegetic and Non Diegetic Music
Lecture 15 Score and Source Example: JAWS (1975)
Lecture 16 Source Music Elements
Lecture 17 When the Score and Source Collide
Lecture 18 Analysis: Battlestar Galactica
Section 5: The Ostinato
Lecture 19 Analysis: Captain America
Lecture 20 Analysis: Requiem for a Dream
Lecture 21 The Ostinato
Lecture 22 Working with Silent Films
Lecture 23 Setting Up a Session
Lecture 24 Composing with Ostinatos
Lecture 25 Building on Ostinatos with More Elements
Lecture 26 Marking Hits
Lecture 27 Finishing Up Our Intro
Lecture 28 A Quick Analysis So Far
Lecture 29

MuseScore (Notation) File
Lecture 30 Working with Notation
Section 6: Motive and Leitmotif
Lecture 31 Motive and Lietmotif
Lecture 32 Analysis: Star Wars
Lecture 33 The Opera Connection
Lecture 34 Locating Lietmotifs
Lecture 35 Composing Lietmotifs
Lecture 36 Adding Rhythm
Lecture 37 Our Long Cue So Far
Section 7: Point of View (POV)
Lecture 38 What is POV?
Lecture 39 Finding and Analyzing POV Scenes
Lecture 40 Scoring a POV Scene
Lecture 41 Analysis of our POV Scene
Section 8: Part 1: Wrap Up
Lecture 42 Split in 2
Lecture 43 Coming in Part 2!
Section 9: Part 2: Introduction
Lecture 44 Introduction
Lecture 45 Tools We Will Use
Lecture 46 Update! MuseScore 3.0
Lecture 47 One of My Professional Projects
Lecture 48 A Note About the Examples In This Class
Section 10: Atmosphere
Lecture 49 What is Atmosphere?
Lecture 50 Example: District 9
Lecture 51 Example: Finding Nemo
Lecture 52 The "Pad" Sound and the Orchestra
Lecture 53 Using Modes for Atmosphere
Lecture 54 Finding an Atmospheric Cue in Our Film
Lecture 55 Composing with Atmosphere
Lecture 56 Analysis of Our Cue
Section 11: Working with String Harmonies
Lecture 57 Taking a Lush Melody and Adding Harmonic Motion
Lecture 58 Polyrhythmic, Monorhythmic, and Accompanimental
Lecture 59 Example: The Village
Lecture 60 Example: Monorhythmic
Lecture 61 Example: Polyrhythmic
Lecture 62 A Piece Worth Noting: Barber's Adagio
Lecture 63 Finding a Good Cue for Our Film
Lecture 64 Composing with String Harmonies
Lecture 65 Analysis of This Cue
Section 12: The Chase Scene
Lecture 66 The Chase Scene
Lecture 67 Example: The Matrix
Lecture 68 Example: Jason Borne
Lecture 69 Rhythm in Chase Scenes
Lecture 70 Brass Swells!
Lecture 71 Example: C'était une rendevous
Lecture 72 C'était une rendevous Playthrough
Lecture 73 Scoring C'était une rendevous
Lecture 74 Analysis of This Cue
Section 13: Building Tension (Suspense and Horror Cues)
Lecture 75 Tension Cues
Lecture 76 Example: The Ring
Lecture 77 Dissection of One of My Tension Cues
Lecture 78 Techniques: Ponticello, Tremelo, and Gliss
Lecture 79 Analysis: Dissonance
Lecture 80 Braaams!
Lecture 81 Dissection of Another Tension Cue
Lecture 82 Cue Analysis
Section 14: Mickey Mousing (Comedy and Animation Cues)
Lecture 83 What is Mickey Mousing?
Lecture 84 Examples of Mickey Mousing
Section 15: How To Get Your Career Started
Lecture 85 Getting Gigs
Lecture 86 Building a Portfolio
Lecture 87 Finding Film Makers
Lecture 88 Working for Cheap (or... Free?)
Section 16: Wrap Up
Lecture 89 More You Can Do
Lecture 90 Thanks and Bye!
Lecture 91 Bonus Lecture
Anyone in any country who is ready to start their professional music career by learning everything they need to know about how music composition works and the film scoring industry.


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